One of the greatest drawbacks of not living in London is to miss Anselm Kiefer's
retrospective at the Royal Academy. And so, when in Milan the other week, I took a rather long metro journey to the outskirts of the city to search out
Hangar Bicocca. In the Pirelli factory turned contemporary art museum I found my dose of Kiefer spectacular.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJemL7xTQPNzMwuhERjKs9N-qQgIkDx3xb5yU05a_08RpTTmY3BUlaQCy0xQ1ZfEWtt3Imrsi91gNRt93d304p7KP3GQEC-q-k4mx4lLnVvP80cf1Fx4G-02c3n1D8qkSxuCKE0zzK3qVS/s1600/Hangar-Bicocca_slider.jpeg) |
Anselm Kiefer "Seven Heavenly Palaces", 2004, at Hangar Bicocca in Milan |
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The Seven Heavenly Palaces" is a permanent site-specific installation, made up of seven concrete towers weighing 90 tonnes each, 14-18 metres high. And it took my breath away. Even though I didn't know much about the artist, and even though I didn't know he was thinking ancient Jewish teachings, World War II ruins and the future remains of our civilization. Because you can sense all this. And it, (along with
a certain Guardian article) opened my eyes as to just how much of a crazy mystic Kiefer really is.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghslShDJLmDALXgiAz0JB__1nmljYas_y7Ps_7mMOPEwrhIBQOKt-rue8H2rx2lVDIW-vwxPSFY7AVy_p2fRtUzJ3jFvGNM4aL-4KA7AOsGyg-KfYO4JLTtlVKX1Dg7zhATTlkGzRo6Yvo/s1600/h2_1995.14.jpeg) |
Anselm Kiefer, Winter Landscape, 1970 |
And suddenly London's call resounds even more sweetly.
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